Tag Archives: women in architecture

Completing the architecture

Tracey Wiles

 

 

Tracey Wiles reflects on the design ethos of Make’s successful and expanding interiors team.

Make is not particularly well known for its interior design, but over the last ten years the team has had the privilege of delivering fully integrated interiors for many of our buildings. We now have a growing team and an amazing portfolio of exemplar interiors projects encompassing virtually every sector, with more exciting opportunities in the pipeline – including working collaboratively for the first time with other architectural practices. We have recently been commissioned to design the interiors for two large-scale residential buildings designed by Stanton Williams for the Canary Wharf Group, encompassing more than 300 apartments – an incredibly exciting opportunity for the team!

Many architects believe they can do both interiors and architecture. This can certainly be true, but the result is only exemplary if the architect has a focused passion for interior design. Our dedicated interiors team includes both formally trained architects and interior designers, and some who are a combination of both! What we all have in common is a love of detail and a passion for carrying an architectural concept from macro to micro so that it is seamlessly integrated into a design.

We especially relish the challenge of delivering ‘turnkey’ projects, where we design, select and procure every aspect of a building. It is on these all-encompassing projects that the expertise and passion of Make’s interiors team really makes an impact. We are now working towards the possibility of realising every last detail of our buildings, both exterior and interior.

Our designs reflect our belief that the journey through a building starts as soon as it comes into view. Its context, its presence on the street, its facade and its threshold all feed directly into the interior – the hierarchy of spaces, their scale, proportions and detail. It is important to trace the steps of the end user, whether visitor, resident or employee, to fully understand their experience of transitioning through a space. We spend a great deal of time sketching, model making and mentally walking through our buildings to familiarise ourselves with the user’s journey.

Harrods Escalator Hall Private home

The interiors team does not sit in isolation in the Make studio – we are fully integrated and work alongside the project teams. Our approach is not to simply ‘plug’ interiors into buildings; instead we carefully consider scale, materials, detail, services, joinery, furniture, fittings and accessories, all under the umbrella of a strong overarching concept. We create interiors responsibly, addressing programme, servicing and maintenance, with a robust understanding of buildability. Our concepts are always unique to each individual project, addressing client, agent and market briefs and responding to a range of different budgets with solutions that range from off-the-shelf adaption to fully bespoke designs.

One of the most important crossovers between interiors and architecture is the maintainability and usability of services. We take great care to ensure that these are compatible with the intended user and that visual impact is minimised. Working as a fully integrated architecture and interiors team means we have the advantage of understanding the services from the perspective of the user, the installer and the maintenance staff.

We have become adept at using off-site modular prefabrication, which allows services to be integrated and components delivered to site fully finished. Every part of the fit-out is treated like a building component. This minimises wet trades on site, thus reducing construction programmes, the crossover of trades, wastage and defects.

Joinery is a particular passion of mine – not only its quality and craftsmanship but also its ability to define and form interior spaces and integrate services. We also consider furniture selection to be an integral part of the design process. This aspect is always of the utmost importance to the end user so we never treat it as an afterthought or a separate package, but rather as part of a holistic design ethos.

Make’s Rathbone Square development is a fantastic example of a ‘turnkey’ project that fully embodies the interiors team’s design philosophy. The detailing, materiality and expression have become a ‘red thread’ that is pulled through the scheme from beyond the site boundary into the heart of the buildings and all the way through to the apartments themselves.

The moment the user touches the bespoke entrance gate they experience a feeling of quality, permanence and longevity. The subsequent door uses a handle with a similar texture and feel and the bespoke lighting and signage are designed using the same material. These meticulously considered, high-quality details are entirely unique to the project and create an amazing journey that gives the user a sense of belonging and a strong connection to the buildings.

Rathbone Square

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The future of architecture – Rebecca Woffenden

We asked ten architects – each of whom joined Make in a different year since 2004 – to write about how they see architecture and the built environment changing over the next ten years. Here are their responses.

Rebecca Woffenden
Rebecca Woffenden
Make Partner since 2008

With the recent rise in Design and Build contracts and other forms of procurement, the role of architects in the construction industry has undergone a dramatic shift. Our emphasis is gradually becoming front-end and it’s becoming harder to retain control of the detail and final design of our buildings. Architects should start to look at the services we offer clients and try to maximise where we can add value to the process, and keep our involvement in schemes for as long as possible to ensure the outcome matches our expectations. We should offer a service that embraces the client’s broader aims and goes beyond just the ‘building’. By diversifying into areas such as branding, product design and interior design, we will be able to offer clients more for their money and have greater input into the final inhabited environment.

As technologies in both the construction and design industries rapidly develop and change, the way we work needs to adapt. The tools the architect employs in the future will be based much more in the digital world, with BIM (Building Information Modelling) featuring heavily. However, while these new technologies play a significant role in the detailed stages of a project, we must not lose the more traditional skills and methods of design – such as sketching and model-making – that help the initial designs develop.

From a woman’s point of view, the construction industry is slowly becoming less dominated by men and more projects have multiple women as key members of the design team, rather than just being on the periphery. With architectural practices gradually embracing flexible working hours, women can start to achieve greater balance in their family and professional lives and I’m optimistic that this can only get better in the future.Quote

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The future of architecture – Robert Lunn

We asked ten architects – each of whom joined Make in a different year since 2004 – to write about how they see architecture and the built environment changing over the next ten years. Here is the third instalment.

 

Robert Lunn

Robert Lunn
Make Partner since 2006

I foresee architecture over the next decade continuing to be shaped by the recession that we are still emerging from. I believe architectural education will evolve, encouraging broader, more intrinsic links between students and the working profession, providing more opportunities to work within a practice (beyond the two year minimum requirement) and promoting greater engagement with others in the industry such as engineers, surveyors and clients. My hope is that this will reduce the financial burden upon students and encourage more people to consider a career in architecture, while also providing a greater variety of tutelage.

I see architects becoming more involved in educating the wider society about what we do and the value we bring to projects. I also see developments in mainstream and social media further encouraging architects to cultivate a wider discourse about how our public spaces, homes and offices are designed and constructed. Architecture will become more socially responsible, with architects developing designs that encourage users to gain more confidence in seeking buildings and spaces that they can adapt easily and efficiently. This will see architecture becoming more dynamic, with less large-scale new builds and a greater percentage of retention, refurbishment and adaptation schemes, such as our own 48 Leicester Square and St James’s Market projects.

robert-lunn-quote-v2A final hope of mine is to see the profession continue to move away from its current ‘male-centric’ image towards one that is increasingly egalitarian, with women occupying more prominent positions across the industry.

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